SCREENING
From November to December, Visions of the Future highlights the expansive potentialities of worldbuilding in cinema. Through intricate set design and thoughtful architecture, these modes of visualising the future imagine how borders dissolve and render connections that transcend language, space and time.
This programme is an invitation to watch, to listen, and to spend time with different visions of what might come next.
Visions of the Future returns with a new line-up in January and February 2026.
Line-up (November to December)
Daily Screenings – Free Admission
Weekend Screenings – Ticketed
Please note the cinema will be closed on the following dates:
11, 15 November
No screenings on 21 Nov, Fri between 10.30am to 4pm
Space Cadet (2025) by Kid Koala
86min | Rating PG | No dialogue
Free admission, first-come-first-served basis.
Daily showtimes
Mon – Fri: 10.30am, 12.30pm, 2.00pm
Sat & Sun: 2.00pm
Futures Festival showtimes
*13 Nov: 4.30pm
14 & 15 Nov: Space Cadet will not be screening on 14 & 15 Nov
*Includes a pre-screening curator’s introduction
21 Nov, Fri : No screenings of Space Cadet
Guardianbot's sole purpose is to care for Celeste, who has grown into a brilliant space cadet off on her first interstellar mission. Guardianbot is thrilled but left to deal with a new emotion it wasn’t programmed for – loneliness.
Based on the graphic novel by Kid Koala, who also makes his directorial debut, Space Cadet is a tomorrow-days’ lullaby about memories and the bonds that connect us. Featuring original songs by Karen O and Digable Planets’ Mariana “Ladybug” Vieria.
The Creator (2023) by Gareth Edwards
135min | PG13 (Brief Nudity) | English
Copyright: © 2023 20th Century Studios. All Rights Reserved.
Free admission, first-come-first-served basis.
Daily Showtimes
Mon – Thu: 4.00pm
Fri: 4.00pm, 6.30pm
Sat: 6.30pm
Futures Festival showtimes
13 Nov: 11.00am
14 Nov: 2.00pm
* No screenings of The Creator on
15 Nov, Sat
17 Dec, Wed
Amidst a future war between the human race and the forces of artificial intelligence, Joshua (John David Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Gemma Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war and mankind itself. Joshua and his team of elite operatives journey across enemy lines, into the dark heart of AI-occupied territory… only to discover the world-ending weapon he’s been instructed to destroy is an AI in the form of a young child.
Filmed across Laos, Nepal, Thailand, and Vietnam, The Creator renders a speculative world in which religion, resistance, and AI coexist. The film’s aesthetic - temples, orbital stations, vernacular architectures - constructs a future deeply shaped by its Asian location.
Selected episodes from The Jetsons (1962)
25min per episode | English
Free admission, first-come-first-served basis.
Daily showtimes
Sat & Sun: 10.30am, 12.15pm
Futures Festival showtimes
14 Nov: 11am
15 Nov: The Jetsons will not be showing on 13 Nov and 15 Nov
Episode 1: Rosey the Robot
Episode 4: The Coming of Astro
Episode 8: Rosey’s Boyfriend
Episode 23: Dude Planet
Episodes will be played back-to-back
Premiering during the Space Race era, The Jetsons captured the 1960s’ optimistic vision of tomorrow. With its flying cars, robotic helpers, and space-age living, the show reflected a time when technological progress felt limitless. But even with its depiction of a dazzling future and high-tech gadgets, the heart of The Jetsons was its focus on family life – love, work, and daily routines – making this retrofuturistic series an enduring pop cultural touchpoint.
Universal Language (2024) by Matthew Rankin | 89min | PG | Persian, French with English subtitles
Ticketed admission
Showtimes
Sun 9 Nov: 4.00pm
Thu 13 Nov: 2.00pm
Sun 16 Nov: 4.00pm
Sun 23 Nov: 4.00pm
In a mysterious and surreal interzone somewhere between Tehran and Winnipeg, the lives of multiple characters interweave with each other in surprising and tender ways.
An homage to Iranian cinema with Canadian inflections, Matthew Rankin’s absurdist comedy finds its heart and humour across borders, language and identities. The alternative world of Universal Language is infused with warmth, carrying a hopeful message that our relationship with one another is not predicated on differences, but perhaps in gestures of care and understanding.
Awards:
Directors’ Fortnight Audience Award | Cannes Film Festival 2024
Arthouse Cinema Award | Hamburg Film Festival 2024
Bright Horizons Award | Melbourne International Film Festival 2024
Best Canadian Feature Film | Vancouver International Film Festival 2024
The Whispering Star (2015) by Sion Sono| 100min | PG | Japanese with English subtitles
Ticketed admission
Showtimes
Sat 8 Nov: 4.00pm
Fri 14 Nov: 4.30pm
Sat 22 Nov: 4.00pm
Sat 13 Dec: 4.00pm
Sat 20 Dec: 4.00pm
Sat 27 Dec: 4.00pm
In a distant future where machines dominate the universe and the human population has nearly vanished, the android Yoko travels alone in a spaceship resembling an old Japanese villa, delivering parcels to last few remaining humans. As Yoko moves through desolated planets, the curious android reflects on humanity’s nostalgic desires, and what it means to be human.
A lo-fi, sci-fi arthouse film by Sion Sono, The Whispering Star marks a contemplative shift from the filmmaker’s maximalist style, blending quiet sci-fi with poetic introspection, with nods to Kubrick and Tarkovski in a meditative exploration of solitude and technological legacy.
Playtime (1967) by Jacques Tati | 124min | PG | French with English subtitles
Ticketed admission
Showtimes
Fri 14 Nov: 6.30pm
Sun 14 Dec: 4.00pm
Sun 21 Dec: 4.00pm
Sun 28 Dec: 4.00pm
Monsieur Hulot finds himself lost in a hyper-modern, ultra-sleek version of Paris, filled with overcomplicated gadgets and rows of reptitive architecture.
The sprawling set, known as ‘Tativille’, was specially constructed for the film at the edge of Paris. The detailed steel-and-glass cityscape took over three years to complete and was shot on 70mm, making it one of the most expensive, and impressive, French films to be made at the time. Despite becoming a commercial failure at its release, Playtime is now considered to be Jacques Tati’s magnum opus, and one of the greatest films ever made.
Jacques Tati’s masterpiece is both critique and prophecy of modern life, calling for a more balanced future with technology that embraces warmth, colour and the messy humanness of it all.
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Futures Festival: Worlds in the Making
Futures Festival: Worlds in the Making is an invitation to hold the future open. It brings together the community in a shared exploration of plural worlds emerging from the equator — worlds that are generous, resilient and already in the making.
ArtScience Cinema
ArtScience Cinema is the museum’s latest screening space with specially-curated films all year round.
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VR Gallery
Dive into a whole new Virtual Reality world and beyond in our new VR Gallery, a permanent gallery space that celebrates curiosity, innovation and experimentation through cutting-edge virtual reality artworks.
